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关键词:帕布罗·拉雷恩,周末杀人狂热(港) , 周末魇狂热(台),剧情,犯罪
BT影视为您提供2008年由阿尔佛莱德·卡斯特罗,安帕罗·诺格拉,Héctor Morales,Paola Lattus,Elsa Poblete,Nicolás Mosso,Enrique Maluenda,马斯洛·阿兰瑟,安东尼娅·泽格斯,Diego Medina,Cristián Ordoñez,Greta Nilsson,Marta Fernández,马尔西亚·塔格莱,Freddy Huerta,约翰·特拉沃尔塔主演,帕布罗·拉雷恩导演的《杀手夜狂热》/原名《Tony Manero》/又名《周末杀人狂热(港) / 周末魇狂热(台)》剧情 犯罪 电影在线观看完整版,《杀手夜狂热》百度云网盘资源以及《杀手夜狂热》高清蓝光mp4迅雷下载,《杀手夜狂热》BT下载资源,希望您能喜欢!
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Plot Summary:Raúl, a middle-aged, unemployed man, is obsessed by the character Tony Manero, who John Travolta plays in the film "Saturday Night Fever". He tries to imitate Travolta's impersonation in every detail, to be able to perform the most perfect Tony Manero himself. Raúl lives in a shabby house in Santiago. In a spacious room the landlady Wilma has a simple stage, where Raúl and some other tenants rehearse a show in Tony Moreno style. The young performers Goyo and Pauli are involved in underground activities against the Pinochet regime. Goyo gives some political flyers to a man. Raúl tails the man, and happens to see the secret police shooting him. After a while Raúl returns to the corpse, and steals the man's wristwatch. He goes to a junk dealer, where he swaps the watch for some thick glass bricks. He needs these for the stage floor, to be able to light up the show from beneath, just as in the film. In need of more glass bricks, he kills the junk dealer and steals the bricks. In his new Tony Moreno dress Raúl is on his way to a look-alike contest in TV Chile, when the secret police enters the house to arrest Pauli and other political suspects. Raúl succeeds to sneak away over the roof, and continues to the TV studio.
智利三部曲之一,最难找到资源。总算了却一桩心愿。
周末魇狂热 创佳CJ英版
72/100
很好的电影!流行文化和政治权力一样 都提供了虚假的赋权感。
黑暗的土壤孕育出的一朵扭曲恶花 镜头间充斥着看不到未来的压抑 Castro真像一只想再次翱翔的迟暮之鹰
还是很爱看他跳舞的,这一刻很迷人,除此之外很冷酷垃圾。
对智利军政府独裁时期的环境气氛描绘,与丧失伦理道德的人物塑造紧密相连。Alfredo Castro以高超的演技传达出生活在压抑的社会里的扭曲人性。这种近乎于邪典虐杀电影的塑造手法,显然模糊了现实和政治批判意味。人性恶的滋生也源自这种精神空虚与无力反抗的人物身上。
我没有杀过人,但我知道电影里的那个他就是我。(终于终于看到这部片了!
愈冷静愈让人觉毛骨悚然
拉鲁把自己假想成周末夜狂热中Tony,真实的他却只是顶着这个艺名,卑劣地生活在自己幻想中的暗影,对于外界的独裁暴力充耳不闻,为了舞台上光芒万丈的幻影用尽一切卑鄙残忍手段,是这个环境中畸形的怪物。时隔多年拉雷恩再次执导围绕舞团展开的厄玛,华美的视听语言下的思想内核已远不如早期作品中丰饶充沛。没有了政治土壤的滋养,希望拉雷恩不要随波逐流,还能坚持做自己。