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关键词:德米特里·马姆里亚,Borotmokmedi , The Criminal Man,惊悚
BT影视为您提供2019年由Natalia Jugheli,Madona Chachkhiani,Vladimer Kobakhidze,Goderdzi Liparteliani,Giorgi Petriashvili主演,德米特里·马姆里亚导演的《罪恶之人》/原名《ბოროტმოქმედი》/又名《Borotmokmedi / The Criminal Man》惊悚 电影在线观看完整版,《罪恶之人》百度云网盘资源以及《罪恶之人》高清蓝光mp4迅雷下载,《罪恶之人》BT下载资源,希望您能喜欢!
乔治·梅斯基是一位28 岁的副总工程师,当他偶然目睹一位著名足球守 门员被谋杀,他的平凡一生经历翻天覆地的改变。他悄悄去参加葬礼,监 视死者的遗孀和女儿。他不断
Plot Summary:An uneventful life of Giorgi Meskhi, a 28-year-old deputy-chief engineer from an industrial town, turns upside down when he accidentally witnesses a murder of the famous goalkeeper. He attends the funeral and while trying to stay unnoticed, spies on the wife and daughter of the deceased. After returning home he attempts to call the police but hangs up upon hearing the voice of the officer. From day to day, he keeps returning to the crime scene as the murder infects him like a virus, until eventually becoming his obsession. Absorbed by everything connected to the crime, he studies the faces of the criminals, as if trying to solve a mystery. He seems to be obsessed with more than the murder he witnessed. Being a 'nobody' he accomplishes series of actions that should turn him into 'somebody', but who? A murderer? He buys a gun as he assumes his new self and tries to fit into a new role, holding it ineptly against random victims. This is a story about the birth of a murderer. Piece by ...
2019.10.12@pyiff. 大量手持长镜头带来的晕眩,只有在片刻远景中得到一丝缓解。摄影是不错的,但也成了一场场碎片式的意象堆积。章回体的结构一开始有效,可只有两章,还是我漏了?
2019PYIFF第二场,摄影不错,画面很舒服,就是拖的太长看的太累了,只喜欢第一个章节。
就这么昏睡过去又昏睡过去
几乎觉得去过第比利斯郊区那破工厂。故事当然有个主心骨,但随烦人装深沉的男主角生活旅行,蔓延出太多无关的人物和支线,镜头语言定的再好,也让人看得无比疲惫。
大段的锡兰致敬下运行着陀思妥耶夫斯基的灵,依然是讨论罪与自由意志这一古老的存在主义话题。破碎暧昧的叙事相当程度上制造了经营感过浓的解谜游戏,而且多到令人困惑而疲惫,但有些点读出来之后会令人觉得兴奋。影像上极其痴迷于浅焦和变焦,声音效果很好,层次感鲜明。@2019PYIFF
平遥第1场卧虎。一上来就踩了雷,以这样一部电影来开启平遥之旅实在迫不得已,称得上是对观影耐心的一次极大考验。能把一个本该有几分黑色幽默的故事讲的如此无聊、笨拙,导演也是蛮厉害的。威尼斯地平线单元盛产这样的影片。
#PYIFF#03 不睡一觉,都觉得对不起导演。
赌球产业就是牛。
“社会属性被逐渐架空的人物像一个拉斯柯尔尼科夫的幽灵,畅通无阻出没于各种场合以常人难以理解的方式寻找着自我,最终麻木堕落自我毁灭”——这本该是个很吸引人的简介,但导演无病呻吟的叙事语调令人不明觉烂。形式笨拙无比,画面毫无信息而全靠背景新闻声叙事的情况经常出现。章节体和后半段昙花一现,破坏体系的镜头畸变(索科洛夫上身?)、锡兰式后景调度也非常画蛇添足。
#VIFF 「成为」罪犯的线路还算出人意料。还是更喜欢开头两章的「证人」视角。