画迷在纽约

The colour/texture is beautiful, but there's nothing more to it. Since it's actually shot in the 90s, I won't say it's "cliché", though people do get tired of beautiful faces and "the nostalgic mood" several films later. The thematic/visual juxtaposition between the white cube (modern art), the traditional hang (Dutch Baroque), and the Wolfstreet-ish investment centre was interesting. The pan shot (?) revealing the city advertising on the fence was innovative. The love story wasn't at all impressive for me because it reeks of daddy issue, though I was glad that the film didn't evoke the "female death as a spectacle" trope at the end of the film. (Though if anyone tries to do pickup lines in a gallery to me, then that person would practically be dead. The film ended pretty "realistically":)

I think Felicity might be queer.

In conclusion, New York is really beginning to bore me even before I actually visit there (...)

Here is a screenshot demonstrating "the 'triple' gaze".