糟糕的女儿

Stephen Kovacevich: "Bloody in English is a rude word but it's not really, bloody daughter means your loved daughter."
Martha Argerich: "My first try at motherhood wasn't a success. But with Annie and you, I did have a lot of help and I wasn't in a couple. I think that is possibly a little easier. Because it's often not a help, in such matters."
Lyda Chen-Argerich: "Mom was a kind of apparition, because this woman was supposed to be my mother. It wasn't very concreted. The maternal aspect wasn't really there. I don't think she acted particularly maternal. She was more interested in me as a young adult, and she herself was still a young woman. There wasn't that much of a difference in our ages. She was a friend, a confidante, with something extra. In any case, I had to get to know her. At the same time, she was a stranger. She was both familiar and a stranger."
Stephanie Argerich: "Sometimes, I was so afraid of listening to her playing that I was totally beyond at my seats, crossing my fingers, holding my breath and just praying not to be older. At the end of the concert, I was exhausted whereas she looked younger."
Martha Argerich: "I adore Beethoven, but I love Schumann. I can't explain. It's so direct, it touches me deeply, like movement of the soul. It's so spontaneous and unexpected. I don't know. You must listen. There's no use talking about music. Words can't express it!" "I always discover things, or new things come to mind. Also, when I'm working on them, I'm trying not to imitate myself. With age, I think you develop a complex about being less able to do certain things, or being less fresh, less crispy. You get scared sometimes. But there's the relationship with the music, which is always new, a bit like love."
Annie Dutoit:"Maybe you're like a migratory bird, mom. Why should you have to choose one place? Maybe you could feel good in several places."